Genevieve Bell, Director of the 3A Institute
Professor Bell is the Director of the 3A Institute, Florence Violet McKenzie Chair, and Distinguished Professor at the Australian National University (ANU), as well as a Vice President and Senior Fellow at Intel. Prof Bell is a cultural anthropologist, best known for her work at the intersection of cultural practice and technology development. Prof Bell heads the 3A Institute, co-founded by the ANU and CSIRO’s Data61, tasked with building a new applied science around the management of artificial intelligence, data, technology and their impact on humanity. Prof Bell also presented the highly acclaimed ABC Boyer Lecture series for 2017.
Busty Beatz, Musical Director, Sound Designer and Conceptual Artist
A killer Musical Director, Sound Designer and Conceptual Artist, Busty Beatz has been making fearless art to excite, terrify and liberate for over 25 years. A decade of performing, recording and touring has been immortalized via her contribution to Sophie Howath’s Big Day Out book Peace, Love and Brown Rice and her place in Women Who Rock, photographic exhibition of the Victorian Arts Centre. Her music is featured in cult Australian films Fresh Air, Eleven, Love and Other Catastrophes and The Well. Musical Direction credits include East London West Sydney, Polytoxic’s The Rat Trap and the award winning Briefs. This beat-making Mama is the Queen Bee of the international smash hit Hot Brown Honey, winning the UK’s Total Theatre Award for Innovation, Green Room Awards for Best Production/Best Design and the Helpmann Award for Best Cabaret. Co Artistic Director of Black Honey Company, Busty has collaborated across forms working with artists such as Ancestress, The Sick of The Fringe and was invited to be a part of Barby Asante’s work for the Venice Biennale’s Diaspora Pavilion. Busty Beatz is a sound visionary, defying genres and bringing her fierce empowerment to activate museums, galleries, theatres and public spaces, all while leading audiences onto dance floors across the globe.
Simon Chaplin, Director of Culture & Society at the Wellcome Trust
Simon Chaplin is the Director of Culture & Society at Wellcome, where he leads work on public engagement, education, humanities and social science research and open research. He is also the Director of Wellcome Collection, the Trust’s free museum and library for the incurably curious. He joined the Trust in 2010 as Head of the Wellcome Library, where he led a major project to digitise 50 million pages of book and archive content relating to the history of medicine, and co-directed the creation of the Reading Room, an innovative public space linking Wellcome Collection’s public programmes with the library’s collections. Before joining the Wellcome he was Director of Museums and Special Collections at The Royal College of Surgeons of England where he oversaw the redisplay of the Hunterian Museum. His research interests include the history of anatomy and medical museums.
Andrea Cunningham, Head of Learning at the V&A Museum of Childhood
Andrea Cunningham has strategic responsibility for Learning at the V&A Museum of childhood which encompasses programming, projects and interpretive content on-site and on-line. Currently MoC learning practice engages schools, hospital schools, community groups, families, adults, FE/HE and academia. The Museum is the largest of its kind, housing over 35,000 objects relating to childhood, and attracts 435,000 visitors per year. For many visitors, the Museum of Childhood provides a crucial first encounter; introducing younger audiences to art, design, history, and material culture. Andrea is motivated by the drive to widen cultural, intellectual and physical access to our national childhood collections and to put children’s voices at the heart.
Kaywin Feldman, Nivin and Duncan MacMillan Director and President
Kaywin Feldman has served as the director of the Minneapolis Institute of Art (Mia), one of America’s largest art museums, since 2008. During Feldman’s tenure, Mia’s attendance has doubled, with expanded programs and ambitious special exhibitions. Feldman has championed the use of digital technologies to support and enhance audience engagement; diversified staff, audience, and board; and strategically acquired major collections and works of art for the collection. She is a past president of both the Assoction of Art Museum Directors (AAMD) and the American Alliance of Museums (AAM).
Sohan Hayes, Media Artist
Sohan Ariel Hayes (born 1975) is a Perth-based media artist known for large-scale projection installation art. His works are characterised by their investigations into personal and collective histories and memory, cultural, ethnic and personal identity, post-colonialism and temporality.
Sohan’s diverse works – in sculpture, painting, photography, film, and installation – have been capturing a growing world-wide audience.
In 2016 and 2017 he designed and delivered all vision content for the Perth Festival opening events, HOME in Langley Park and Boorna Waanginy in Kings Park.
A founding member of the Jacksue Collective his work has been shown in museums and exhibitions around the world, Cannibal Story, the Animated Paintings of Billy Yunkurra Atkins toured extensively nationally with several touring exhibitions. We Don’t Need a Map, Experimenta and Flickerfest, and had a prolonged international festival life. It was officially selected for the Edinburgh Film Festival, Tampere Film Festival (Finland), Origins (London), plus many others. Sohan has created a number of public art installations, including two video installations, Starry Night at Point Zero (2016) and Nine Streams of Borna Malliji (Tree of Shadow)(2016) in the historic heart of Perth, Cathedral Square and Synapse at ECU Joondalup. At Karratha Airport Sohan has on permanent display a series of cinemagraphs, Your Pilbara Vision (2015) and in Newman Town Square is Cloud Story (2016), a Nyiyaparli story of how Jingalong was handed over to the Martu in the 1960s. Recently Sohan has exhibited the 16m x 6m video installation, Walyja Ngurra (2016) at Fremantle Arts Centre. He curated a major exhibition on Sannyas in Fremantle: The art of Surrender (2017).
Currently Sohan is working on Ngarlimbah (You are as much a part of me as I am of you) a spoken word and animated video work conceived in collaboration with Walmajarri/Nyikina painter and poet, Edwin Lee Mulligan.
Brian Lobel, Performer and Curator
Brian Lobel is a performer, teacher and curator who is interested in creating work about bodies and how they are watched, policed, poked, prodded and loved by others. The New York-born, London-based performer has shown work internationally in a range of contexts, from medical schools to galleries, cabarets to museums, marketplaces to forests, blending provocative humour with insightful reflection. For over a decade, Brian has been a critical voice in the world of cancer care, patient experience and medical education, presenting keynotes talks and performances to thousands of students, doctors, researchers and patients. His works have been presented in over 25 countries and include BALL & Other Funny Stories About Cancer, Purge, You Have to Forgive Me (x3), and Fun with Cancer Patients. Brian is a Senior Lecturer in Performing Arts at University of Chichester, Co-Director of The Sick of the Fringe, an Associate Artist with Clod Ensemble’s Performing Medicine, a Core Member of Forest Fringe and a Wellcome Trust Public Engagement Fellow. www.blobelwarming.com.
Richard Price, Head of Contemporary British Collections at the British Library
Dr Richard Price is the Head of Contemporary British Collections at the British Library, London. He leads the three inter-related Contemporary British teams – Publications, Manuscripts & Archives, and Sound & Vision. The department has been responsible for exhibitions including Punk: 1976-78 and Listen: 140 years of recorded sound. His background is in curatorship and strategy. He also has expertise in contemporary poetry, little magazines, and artist’s books. His publications include award-winning poetry; the selection of essays on poets, small presses, and artist’s books Is This A Poem? (2016); and, co-written with David Miller, British Poetry Magazines 1914-2000 (2005).
Nathan Sentance, Project Officer at the Australian Museum
Nathan Sentance is a Wiradjuri man who grew up on Darkinjung Country, NSW. He currently works as project officer in First Nations programming at the Australian Museum. Nathan works to ensure that the cultural and historical narratives conveyed by cultural and memory institutions, such galleries, libraries, archives and museums (GLAM) have First Nations perspectives and that First Nations stories being told are being told and controlled by First Nations people. This is to balance the biases and misinterpretations of Aboriginal culture and people that has been previously set by GLAM institutions.
Angelita Teo, Director of the National Museum of Singapore
Angelita Teo was appointed as Director of the National Museum of Singapore (NMS) in July 2013 and was awarded the Public Administration Medal (Bronze) in 2014 for her contributions towards the development of a vibrant cultural and heritage sector in Singapore. Between 2014 and 2015, she helmed the Museum’s complete revamp of its permanent galleries, which reopened in September 2015.
Since 2012, Angelita has run the Festivals and Precinct Development Division of the National Heritage Board (NHB) and continues to be the festival director of the iconic Singapore Heritage Festival and Singapore Night Festival, which together reach out to over 2 million visitors annually. In 2016, she undertook the management of the Museum Roundtable Unit, which aims to build and facilitate a stronger museum-going culture in Singapore. Angelita is also the Director of Retail and Merchandising under the National Heritage Board.
Angelita started her museum career as an Assistant Curator in 1996. She pursued a Masters in Art Curatorship at the University of Melbourne in 2011, under a full government scholarship from the NHB.
Nick Thieberger, Director of the Pacific and Regional Archive for Digital Sources in Endangered Cultures
Associate Professor Nick Thieberger is a linguist who has worked with Australian languages and wrote a grammar of a language from Efate, Vanuatu. He helped establish the Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC, a digital archive of mainly audio language and music records, and is now its Director. He built the Aboriginal Studies Electronic Data Archive (at AIATSIS) in the early 1990s. He is developing methods for creation of reusable data sets from fieldwork on previously unrecorded languages. He is an ARC Future Fellow at the University of Melbourne and a CI in the ARC Centre of Excellence for the Dynamics of Language.
Athanasios Tsakonas, Architect
Athanasios Tsakonas is an Australian architect and urban designer with extensive experience in Southeast Asia. He recently established the Melbourne design laboratory, ATA Architects, to explore the contemporary condition through new approaches to urban housing. The aim is to better understand space and place through local narratives and through the development of micro projects. He also serves as design principal and partner in Tan + Tsakonas Architects, a Singapore-based design practise with a portfolio in public housing, institutional and community projects.
Art and architecture are valuable tools for uncovering the many layers of urban experience that are often taken for granted. What we look for in a city tells us much about ourselves.
Gerard Vaughan, Director of the National Gallery Australia
Gerard Vaughan is Director of the National Gallery of Australia, which combines the national collection of Indigenous and Non-Indigenous Australian art with broad collections representing the visual culture of the Asia-Pacific, Europe and America. He was previously Director of the National Gallery of Victoria in Melbourne. From 1994-99 he was inaugural Director of the British Museum Development Trust in London. He has a doctorate in art history from Oxford University and as an art historian has always specialised in the history of taste and public and private collecting, public museology and the provenance of works of art.